Composition and direction: Ruedi Häusermann; architecture: Giuseppe Reichmuth; costume: Sabine Hilscher; dramaturge: Judith Gerstenberg; sound design: Gabriel Dernbach, Simon Hertling, Jesko Stüve, Shintaro Sugiura (Studierende der UdK)

With: Thomas Douglas (Schauspieler) and the Henosode-Quartett: Sarah Hubrich (Violine), Josa Gerhard (Viola), Benedikt Bindewald (Viola), Christoph Hampe (Violoncello)

In the middle of the hustle and bustle, in the center of the city, the Henosode-Quartett has constructed its own sound hall. 2.75 meters x 5.25 meters x 2.0 meters - no larger, no smaller. The space is limited. But the musicians don't want to hold out any longer in the marginal space that connoisseurs appreciate. They have plucked up their courage under the direction of a middle-aged man with the worldly name Thomas Douglas and surrender their world of sound to raw reality, with all of the consequences. He teaches them to not let any adversity go by unused, to convert every disruption from the uncontrollable outside world into a strength and transform it into their own musical expression. In the end the small group of listeners will leave the little building in an unsuspected serene condition of ambiguity, redeemed from appropriateness, well-fortified against the unforeseen.